
Barjavel's improvisations start out as playful investigations of the sonic materials to hand: the sounds of a grand piano, a guitar, various toys and miscellaneous objects are passed though microphones and into laptops, and by the means of various electronic processes, these different sounds begin to spring forth from a set of speakers. Along the way, field recordings and samples will be added. The ensuing soundworld is multi-layered and often dense [read more...]