
It can be hard to describe Ludomir Grzelak's music, but if you try you'll probably land on the word "weird." The Polish producer's work, whether it's on tape or wax, is a strange swirl of samples, from Enya to dissonant instrumentation to the field recordings that lurk in the shadows of most his releases. He's a true explorer who mines ideas from everywhere—from pop songs, from his physical environment, from God-knows-where on the internet. You get the impression that he picks up sounds wherever he goes [read more...]